![]() ![]() ![]() After all, the short is only 18 pages long as printed in the first edition hardcover of Night Shift, and if it were to be directly translated scene-for-scene it would probably result in a 20-minute short film rather than a full feature. Singleton’s Graveyard Shift is the second shortest movie based on a published Stephen King work – but even with that being the case the film still needed to expand on the source material. Singleton’s Graveyard Shift Differs From Stephen King’s Short Storyīeing just a little over 86 minutes long, Ralph S. In addition to removing various bulk items and hosing the place down, they are constantly set upon by rats that call the space their home.Īs horrible as those rodents are, though, they are nothing compared to the horrors awaiting Hall and Warwick in the secret subbasement that the workers discover days into the job. Needing money, and the opportunity coming with bonus pay, Hall agrees and becomes part of a 36-man crew, but none of them are prepared for what the work entails. Prior to the July 4th holiday, Warwick approaches Hall about pulling some extra duty, namely cleaning out the building’s basement, which has gone ignored for about 14 years. There are plenty of things to complain about, but chief among them is the looming presence of Warwick, his shift foreman. Our protagonist in “Graveyard Shift” is Hall – a college-educated drifter who has spent his adulthood searching for his purpose, and certainly doesn’t find it working during the middle of the night in a brutally hot mill located in the town of Gates Falls, Maine. While it was probably just a tall tale, the idea was captivating enough for King to be inspired to pen a new short story. This duty would see employers not just encounter rats, but rats that were described to the writer as being as big as dogs. Per Ian Nathan’s Stephen King At The Movies, King struck up a relationship with a veteran at the establishment who told him horror stories about clean-up operations in the building’s basement. It was hard work he did to make money as a poor high school and college student, but according to a colleague at the mill the gig could have been far worse. When King was a teenager, he got a job working as a dyer at Worumbo Mills And Weaving – a textile factory producing woolens in Lisbon Falls, Maine. Given the significance of “Graveyard Shift” in the early years of Stephen King’s career, it should come of little surprise that the origins of the short story come from the author’s youth.
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