Jonathan Ochmann: I worked as a musical composer and software synthesizer engineer in my early twenties and have been into art and technology for as long as I can remember. Are you a filmmaker yourself? What has your role with VisionColor been? PremiumBeat: First off, I’d like to know some more about you in general. We have composer, software engineer, photographer Jonathan Ochmann ( SoundCloud/ Instagram) and his team to thank for these LUTs, and he was generous enough to give us some more info about how his packs were created. While they in no way replace the true artistry and craft of being a digital colorist ( as this meme about the M31 LUT would suggest), they do provide a really top-notch baseline to work with, are great to use on set with monitors, and will work drag-and-drop better than any other LUTs that I’ve used. Our “Escape Room” short was graded with M31 from the Osiris Pack to get the classic Teal/Orange look. VisionColor LUTs are very true to the real deal, and they are created with care to achieve a very high level of accuracy across all camera platforms. I’d like to get this out of the way as well: this post is not sponsored by or paid for by VisionColor. I personally tracked down CEO Jonathan Ochmann so I could ask him a few questions about the creation of these LUTs and why they seem to be so versatile - that’s just how much I like them. I’ve always been very excited by how LUTs have added ease of availability to accurate film-style color curves and looks to all digital filmmakers. I’ve used both of the VisionColor packs ( Osiris and Impulz) many times throughout my career - certainly more often than any other LUT packs I’ve come across. They look great on LOG footage, Rec 709 footage, photos - anything you can throw them at. If you haven’t heard of them or have never used them yourself, you owe it to yourself to give them a shot. I’m going to get this out of the way quick: I’m a big fan of VisionColor LUTs. ![]() If you haven’t heard of VisionColor LUTs, chances are you’ve seen them in action more than a few times in videos and films.
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